
Most creative problemsaren't creative problems.Especially yours.
Most creative problemsaren't creative problems.Especially yours.
The Situation
You Already
Know Something
Is Wrong.
You've probably already tried to fix it.
That's not a failure.
That's why you call someone like me.
The problem is usually one of three things.
The Work Isn't Working
The campaign is live. The numbers aren't moving. Everyone has an opinion. Nobody has a diagnosis.
The Vision Isn't Clear
The strategy keeps shifting. The brief changes every week. The team is building something but nobody can say what it is.
The Clock Is Running
The launch date doesn't move. The stakes are real. You need someone who has been here before and knows exactly what to do.
If you're reading this, one of those is already true.
Who Is
The Fixer.
16 years. Disney, Marvel, Warner Bros, Amazon, Universal, Paramount, Hyundai. The jobs nobody puts in a case study because the NDA is airtight.
Amazon alone has called 34 times. You don't call the same person 34 times unless the alternative costs more.
He doesn't pitch. Doesn't present. Asks four questions, finds what's actually broken, and fixes it.
Fast. Clean. You get the credit.
The work has screened at Tribeca and TIFF. Run on 18,000 cinema screens. Trended at 13.2 million viewers. Shipped across 28 theatrical releases for Disney alone.
He is available.
He has seen worse than this.
He is home for dinner at six.
Entertainment. Automotive. Consumer. The problem is always the same. The politics are different. The solution is the same.














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The Files
Previous Jobs

PUPPY POWER
Adorable was not enough. Needed a takeover.
Multi-platform media event. Full system.
13.2M viewers. #3 trending. Still running.

THE KING RETURNS
No footage. No music. No way to sell it.
Flipped the script. Built a movement.
800 screens. 2 nights.

CINEMA BLACKOUT
Pre-show nobody watched. Zero attention.
Visual experience that demanded it.
18,000 screens nationwide. Still live.

PUZZLE BOX
Build a cinematic puzzle game people want to play and interact with.
Show up. Problem presents itself. Get to work. Get everyone on board.
1M downloads. Barely showed the game.

HOLLYWOOD INFILTRATION
Brand integration without the cringe.
Built the architecture first. Survived three rooms. Delivered one story.
Tribeca. TIFF. Contenders. One story. Never felt like a car commercial.
Prior Cases
Selected work across branded content, original content, and everything in between.
Branded Content · Original Content · This and That
15 pieces · Archived
How It Works.
Recon.
One conversation. You tell me where it broke. I'll tell you what's actually wrong. Those are usually different things.
Orders.
Strategy, creative, production — whatever it needs. I don't hand it off until it's clear. Then we build it.
Clean.
The work ships. We review the numbers. When the system holds, I leave. You get the credit.
Operations Manual
"Find the creative problem."
"Politics kill more work than bad ideas."
"Fix it and ship it."
"Certainty is the deliverable."
Make the call.
You've got a mess. I've seen worse.
Thirty minutes.
No deck. No pitch.
Just clarity on what's broken
and whether I can fix it.